¡Viva la Huelga!

The fiftieth anniversary ceremony began with the singing of a corrido. As the guests of honor found their seats on the stage of the octagonal-roofed Kiosk on the first day of June, Daria Vera shuffled to the mic, gripping an official program with the lyrics on the back cover. The guitarist and accordionist struck up the first chord. Her deep, gravel-lined, distinctive contralto struggled to carry over the rumble of the cross-border freight trucks hemming us in on parallel one-way arteries of Highway 83 through downtown Rio Grande City, Texas. But then a high-pitched grito emanated from among the metal folding chairs lined up on the sidewalk, followed by a familiar cry:“¡Viva la Huelga!” (Long live the strike!) Daria’s singing rose up over the din of the traffic, over the murmur of greetings and fifty years’ worth of catching up. In time, her voice regained the volume and assurance of another era, as the corrido’s couplets began to tell its story. Keep reading at the Oxford American

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