In the opening moments of “La Bruja,” a traditional folk dance from Veracruz newly reinterpreted by the New York City-based Ballet Nepantla, a spotlight trains on a barefoot dancer in a red dress — the witch — pirouetting at center stage. She is soon joined by a shirtless male “victim” who executes a series of acrobatic lifts as they take turns pursuing one another across the stage. It’s a prototypical contemporary ballet duet, until something surprising happens: Six dancers in flowing white dresses and high-heeled shoes emerge from the wings and place flickering candles atop their heads. Their feet strike an intricate pattern as the candles remain stationary, as though levitating. Meanwhile, the contemporary pair weaves in and out of the folk dancers in an ethereal braid entwining new and old, seduction and pursuit, and life and death. Read more in the Texas Observer.